The special effects don't call inappropriate attention to themselves but get the job done. You know intellectually that you're not looking at a real ocean liner-but the illusion is convincing and seamless. The ship was made out of models (large and small), visual effects and computer animation. And there must be a reenactment of the ship's terrible death throes it took two and a half hours to sink, so that everyone aboard had time to know what was happening, and to consider their actions.Īll of those elements are present in Cameron's “Titanic,” weighted and balanced like ballast, so that the film always seems in proportion. There must be vignettes involving some of the rest and a subplot involving the arrogance and pride of the ship's builders-and perhaps also their courage and dignity. There must be a human story-probably a romance-involving a few of the passengers. We must see the Titanic sail and sink, and be convinced we are looking at a real ship. We know before the movie begins that certain things must happen. If its story stays well within the traditional formulas for such pictures, well, you don't choose the most expensive film ever made as your opportunity to reinvent the wheel. It is flawlessly crafted, intelligently constructed, strongly acted and spellbinding. James Cameron's 194-minute, $200 million film of the tragic voyage is in the tradition of the great Hollywood epics.
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